Dreams, News, Free Magazines
Yesterday, apparently, the ragweed count was the highest in Utah's history. Unable to take it anymore, last night I took some allergy medicine, while working on my game and listening to the podcast interview with Cliff Harris, and at the same time debating RPG design with a friend in chat.

This was apparently a dangerous combination for my delicate psyche.

So in my dream last night, I was visiting the new Aveyond area at Disneyland. Mostly it was a tour of a ship. Why a ship, I don't know... I think a dragon ride would be more appropriate. But I remember thinking, "Wow, Amanda's scored big time on this one." There was more to it, of course - I was anxious to see the gift shop, where they were selling the game on CD-ROM and of course the usual T-Shirts and weaponry from the game. But before I could check it out, there were legal matters to attend to.

See, Aveyond and an RPG written by OJ Simpson were being sued over I.P. violation for having a piece of terrain in the world map that resembled that of some major big-name RPG. Aveyond was dismissed from the lawsuit because the judge wisely decided that simply having a waterfall, mountains, and an ocean in your game did NOT constitute any kind of copyright violation with another game also having mountains, a waterfall, and the ocean. Simpson's game was not so lucky, as that one piece of terrain did bear more than a passing resemblance to the other game.

I was on the jury, which was meeting in my high school algebra classroom. Everyone else was arguing that OJ must be guilty of the copyright violation, because he was guilty of that OTHER crime and got off, so nobody wanted him to get away with anything again. Me, I was worried about the chilling effect it would have on other indie games, getting bullied by larger publishers, particularly when only that one piece of terrain bore any resemblance to the mainstream game. So it was Twelve Angry Men being played out in my high school classroom, but I woke up before the verdict could be reached.

Hmm.... did I just overshare, there? I probably revealed something very dangerous about myself that I shouldn't have. But mainly, I'm blaming Cliffski and the allergy medicine.

Okay, if that bizarre little dream sequence wasn't surreal enough, I discovered this morning that likely presidential candidate Mark Warner is hitting the MMO "Second Life" on his campaign trail. Gamepolitics.com is heralding this as a wonderful example of how mainstream Massively Multiplayer Online Games have become. Me? I'm just imagining how very, very WRONG this could go. I mean, really, unbelievably wrong. Way worse than Lord British being killed during the Ultima Online beta. Second Life allows player-created and controlled content to a degree unprecedented since the day of text-only Multi-User games, and has thus gained a reputation for having the most colorful, bizarre, and downright perverted population on the Internet - complete with full graphical accoutrements. Among other things, it's got the reputation for being the cybersex capital of the Internet (or at least of the MMO worlds). While I'm sure Mr. Warner will be pounding the stump in a "family safe" area, I'm unsure how many people might be happy to risk their accounts by turning the whole thing into an embarassing spectacle. I guess we'll find out.

I imagine it'll make my Aveyond / Disneyland / OJ Simpson dream look positively mundane by comparison.

In other news - how about a free indie gaming magazine? Okay, so it's a digital PDF download, but GameTunnel.com is now producing a quarterly downloadable magazine. After the incredibly bizarre content of this blog post today, I'm sure you are dying for something a little more sane. So HERE YOU GO. Enjoy.

Do not read under the influence of allergy medicine. You Have Been Warned.
- posted by The Rampant Coyote @ 9:10 AM (Permalink) 2 comments links to this post

 
Biting the Silver Bullet
Yesterday I had a discussion with a friend about the Silver Bullet Syndrome. Well, it's actually an ongoing discussion we have had for months. We've both been in companies that victim to this particular malady (it wasn't our fault, honest!), and we see it happen over and over again. We love grousing about it.

The Silver Bullet Syndrome is a name applied primarily to the IT industry for what basically amounts to a company falling for a Get Rich Quick Scheme. Some miracle technology or paradigm promises to solve all or most of an IT department's ills. It could be some tool that promises to improve productivity to ten times its current level. It could be the lure of offshore outsourcing, which promises to get the same job done by internal departments for a quarter (or less) of the costs. Or it could be some new programming language that's going to solve all the problems of the previous languages because it's so much easier to use.

Who wouldn't get weak in the knees at the prospect of becoming ten times more productive, or cutting their costs by 75%? Imagine me - a small business owner (very small, I'm afraid...) and game developer - if I could crank out a completed, polished game in two months instead of over a year... WOW! And as most of my expenses are living expenses... what if I could cut that to 1/4th of what it is now... I'll bet I could quit my day job and devote myself to making indie games! (Of course, I'm a weird case, in that my day job right now IS making games... so there's not a big difference.)

It is an incredible prospect. But like most things in life, if things sound too good to be true, they usually are. Why businesses keep falling for 'em is beyond me. I've been in a meeting where the IT Director (who had enough experience to know better) confidently promised that after only nine weeks of development on this new miracle platform, the consultants from the platform's company and select internal staff (both of whom were new to the company) had the new system that would replace our entire infrastructure 90% complete. Yep, we just needed five or six more weeks to integrate it with a few external systems and we'd be done.

About a year (and, depending on how you count, 2-5 million dollars) later, the entire project was scrapped, and said IT Director was replaced.

I've heard first-person horror stories of "offshore outsourcing" that ended with the company pulling everything back in-house after one to two years, and being forced to scrap nearly everything done in that time because it was simply unusable. Suddenly a 75% discount doesn't seem like such a bargain when you've wasted all that money AND two years of opportunity.

I'm still waiting for the CASE tools to revolutionize software development and make my job obsolete, as I was told in the late 80's. The promise of Object Oriented Development, which was preached to me at the same time in college, has largely been unrealized. But I continue to hear people loudly proclaim, "But this time it's different," for whatever the new system or technology has them excited.

Now here's the thing. I don't believe in silver bullets. I don't believe in any other kind of "get rich quick" scheme. Oh, I know it's technically possible, but it's usually non-repeatable or useful only in a very specific opportunity. However, I have found that if you haven't paid too much for that silver bullet, if you strip away the silver plating the marketers throw on it, you may find a high caliber hollowpoint round that is perfectly lethal for most of the more mundane monsters we face in this business. Just try to avoid any werewolves, and you should be fine.

In these cases, if you adopt the technology or methodology, you'll typically go through three phases:

Stage 1: The Honeymoon Phase - "This technology is the greatest thing since sliced bread. Looky-here, it used to take me a week to do this one thing, but now it only takes me an hour! I'm in heaven!"

Stage 2: The Welcome-To-Reality Phase - "Uhoh, this isn't doing what I thought it would do. And all of these other things I normally do are taking even longer to do. I've got to re-learn all this other stuff, too. Oh, crap, what did I pay for?"

Then, assuming you haven't been sold pure snake-oil:
Stage 3: The Acceptance Phase - "Okay. So maybe this isn't the be-all, end-all. Maybe it's got some real ugly limitations I have to work around. Still, I think the pros will outweigh the cons in the long run, and it'll be a net gain. I just have to learn how to do it."

Some Examples:
Extreme Programming (XP). I'm a big proponent of agile methodologies after my experience in a shop that practiced XP. Were the results dramatic over other methodologies? Well, it depends on what you mean by dramatic, and which methodologies you used. If you are talking pure waterfall development, sure. Just about anything is dramatically better than waterfall in MOST real-world applications. XP seemed to dramatically increase the costs of some phases of development, but dramatically decrease others, and coupled with the secondary benefits of the methodology it seemed like a net win. I think other agile practices might yield better results, though.

Game Engines - Hey, this IS a gaming site after all, I should at least mention games or game development, right? Game engines are a mixed bag. You can get fairly dramatic results if you are willing to accept some extreme limitations with some game development "kits." Or you can accept the steeper learning curve and more work involved with a highly flexible engine that exposes its source code. With luck, it'll take less time and effort than creating your own engine from scratch, but it's still not a "slam dunk." Making a commercially viable game isn't easy no matter what tools you adopt.

Admittedly, I'm finding myself in a bit of a honeymoon period with the Torque Game Builder. I'm pretty impressed with its functionality and ease-of-use (though I'm irritated by a couple of glaring bugs, too). Fortunately, GarageGames hasn't been blatently billing this thing as a miracle machine or a silver bullet, and it's priced well below the point where it would need to be. People are having a lot of luck with it in developing casual games (specifically), but those typically have short development times to begin with. It is possible to follow the tutorials and create a pretty respectable tech demo in a matter of a couple of hours. Just don't make the mistake of assuming your new game is 90% complete at that point.

Just remember to keep your expectations realistic, especially when deciding what you are going to pay - in terms of actual cost and in terms of the time and effort it will take to adopt it. Some caution and good sense can keep you from turning a frustrating situation into a disaster.
- posted by The Rampant Coyote @ 11:01 AM (Permalink) 2 comments links to this post

 
The Evolution of Computer RPGs
So I've been scratching my head trying to figure out why some portals and marketers label certain computer games and videogames as "roleplaying games" (RPGs) or having "roleplaying elements" when they don't bear any resemblance to what I would consider a real RPG. That led to trying to define what an RPG is... and that led to musing over the history of computer roleplaying games. How did we get such a category in the first place?

Of course, you can't talk about that without going into the history of the pen-and-paper RPGs. Now, much of this stuff was before my time (I was five years old when Dungeons & Dragons was first published). But here's the story as I see it, and how I feel it guided game design.

The Wargames
Before there were RPGs, there were wargames.

I'm not gonna go into the history of wargames. Depending on whether you classify games such as Chess or Go as 'early wargames,' wargames could be a very ancient form of training and entertainment. But in a nutshell, wargames are simulations of battles, often played with miniatures on a map (or a full tabletop diarama which serves as a map --- see, we had escalation of graphics quality even back in the 1970s!)

One of the measures of the quality of a wargame was the fidelity of its results if a battle was played exactly as historically depicted. Wargamers effectively "roleplayed" these games, putting themselves in the shoes of actual generals commanding famous battles in history, pitting themselves not only against their opponents, but against the very leaders who commanded the real battles. Think you can do better than Rommel?

Sure, the ol' Desert Fox would probably whup your butt if it was real tanks in real northern Africa, but we're talking a type of fantasy here.

Of course, not all wargame scenarios had to be historically accurate. Players and designers enjoyed (and still enjoy) coming up with "what if" scenarios. What if this battle had occured two days later, when the losing side had received its promised reinforcements? What if the weather had not impeded the cavalry? Or what if a battle had actually occured between two forces that had never engaged each other in real life? Or how about a plausible battle in ancient history that we have no record (or few details) about?

And ... what if the germanic barbarian forces also had DRAGONS?

Or more interestingly, how would Rommel do if his tanks encountered your DRAGONS, huh? Yeah. Look who could whup who's butt NOW!

While it's likely that other wargaming groups introduced fantastic elements like the above using their own homebrewed rules, the first published wargame rules with a "fantasy supplement" was entitled Chainmail, published by Guidon Games, written by Gary Gygax and Jeff Perren. He kept things pretty simple. The effects of the fireball spell for wizards was identical to those of a catapult, and the lightning bolt spell was lifted directly from the cannon effects. A Hero unit was simply treated as four normal soldiers. It didn't matter. Context was everything, and "Fantasy Wargaming" was born.

An Army Of One
With the precedent set for a "unit" in the wargaming to actually equal a single hero, it wasn't a huge step for the fans to move from controlling armies to controlling a single, powerful character. Dave Arneson inserted the Chainmail rules into his Blackmoor campaign, tweaking them here, replacing them there. Players found themselves running their individual miniatures through castles and dungeons fighting mythological beasts.

Those rules were then re-adopted by Gary Gygax, modified some more, and became Dungeons & Dragons: the first "roleplaying game" in 1974. However, it wasn't known by that term at the time. This strange hybrid hobby was called all sorts of things, like "Fantasy Gaming" and "Adventure Gaming." As new rules appeared to simulate other genres, it was clear that the word "Fantasy" was too limiting. Somewhere around 1980, the term "roleplaying" stuck.

Enter The Computer
The problem with roleplaying games is that they were a pretty group-oriented activity. Organizing a time when six or so players could get together for the several hours required to play a game is quite a challenge. Particularly when it's likely six nerdy folks who were probably scattered all across the state, and some of 'em had to rely on the bus or their parents for a ride!

Ah, but all was not lost! Since this time period also heralded the accessibility of computers (even *gasp* computers in the HOME), some enterprising (but lonely) geeks decided to try and simulate the experience of a Dungeons & Dragons game on the computer. A simulation of a simulation, kind of.

You had a lot of guys writing programs called "DND". Richard Garriott's "DND" high school project became a commercial release, "Akalabeth: World of Doom." Akalabeth later became Sosaria (which in turn become Britania) in the legendary RPG series "Ultima." You had Daniel Lawrence's "DND," which evolved into the commercial game "Telengard" published by Avalon Hill. Another game called "DND" was developed for the PLATO computer instruction system by Gary Whisenhunt and Ray Wood. I'm sure there were dozens more.

And there were many more - some commercial projects, some done for gamer's individual amusement. Besides the ones mentioned above, some other landmark commercial RPGs from the early days included "Wizardry," and "The Temple of Apshai."

This is how the computer RPG was born.

Console RPGs - the other CRPG
The success of Wizardry and the early Ultima games (particularly Ultima III) went overseas to Japan to inspire the first of the major Japanese console RPGs, "Dragon Quest" (Dragon Warrior in the U.S.) for the Nintendo Entertainment System. This game inspired an entire genre, and became an entire evolutionary offshoot from Ultima and Wizardry.

The Eastern RPGs tend to differ from their western counterparts by being more focused on story exposition and character, often enforcing very linear gameplay and little character choice compared to western RPGs. Labeling these kinds of games as "Eastern" or "Western" is only useful insofar as describing the general inspirational origin of these games - they continue to mix, borrow ideas from each other, and western developers are happily plugging away with games derived from eastern "console" RPGS. (Aveyond is one example).

Meanwhile, the western games still tend to more closely resemble the "pen and paper" RPG experience - to the point that they still often borrow heavily from their pen-and-paper licenses such as Dungeons & Dragons and Vampire: The Masquerade. They often emphasize player customization of his or her avatar(s), and exploration of a more free-form, open-ended environment.

Personally I pity the angsty teenaged eastern RPG hero when he comes across my flower-picking-assassin from a western RPG. That'll teach him the meaning of the word, "Strife!" But seriously - I enjoy both kinds of RPGs. Many people just favor one or the other. Or a third...

The Action-RPG
The classic NES game "The Legend of Zelda" is often heralded as the beginning of the action-RPG genre, but in reality many other games tried to merge the flavor of the fantasy roleplaying game with the action of an arcade game. The earliest I remember was "Gateway To Apshai," which I played on the Commodore 64. A "prequel" to the older Temple of Apshai series, the game was played with a joystick and involved quick movement and action coupled with gathering better equipment and improving your characteristics.

Action-RPGs differ from "true" RPGs by emphasizing the player's timing and action-game skill as much as (or more than) the player's avatar's in-game characteristics. Besides the Zelda series, other popular action-RPGs include the Diablo and Elder Scrolls series. And I'll add the Ultima Underworld series (series meaning, uh, both), because I liked 'em.

Where Do We Go From Here?
It may be because of the wargame ancestry, but roleplaying games have typically had a heavy combat focus. Of course, a big part of it is just that combat is fun (taken in moderation). If RPGs evolved from the boardgame Monopoly, would we have a totally different situation today? (There's my "what if" scenario - forget dragons! I want greedy landlords!)

It's no big surprise, but traditional medieval fantasy games tend to do much better on the average than games with different settings. I think it's been demonstrated that a good RPG in a different setting CAN sell (Fallout being a prime example), but it appears much harder. Is this part of the Dungeons & Dragons "Fantasy Wargaming" legacy? Are people interested in RPGs naturally predisposed towards medieval fantasy, or is there something else at work here? Maybe something really simple --- like swords being more fun (and visceral) than guns?

One interesting twist that I wasn't expecting from my perspective in the early 1980's was the trend towards simplifying the game systems when they made the jump to computer and game console. Pen-and-paper game systems are often fairly complex systems, again perhaps hearkening back to their wargame ancestry. And the fact that players get mad when you tell them they can't do something because of some screwy rules limitation.

I assumed that with computers able to handle the number-crunching load exceeding that of humans, the game mechanics would become deeper and more complex. I guess, to a point, they have, but in ways outside of the core rules system. You now get some element of actual simulation being performed before you ever come down to calculating the attack roll. You can calculate the actual distance of your sword tip to determine whether or not a hit occured on a charge, rather than throwing in artificial modifiers. But it seems that, on the whole, the game systems have actually become extremely simple, doing away with a lot of the numbers we cherished. Or at least burying them beneath the surface where a player can't see.

Labels: Mainstream Games, retro, Roleplaying Games

- posted by The Rampant Coyote @ 3:09 PM (Permalink) 11 comments links to this post

 
Dead Villagers
I'm still playing Virtual Villagers, though once I managed to max out farming technology my village ceased to be in constant threat of annihilation, and so I am able to play it in little 2-5 minute snatches.

Tamagotchi villagers, indeed.

All my original villagers are now dead. Due to old age, injury, or misfortune (Ah, Chika, I guess eating those strange berries wasn't such a good idea after all. Sorry about that...)

My second-generation villagers are starting to die off now. It's morbidly fascinating to guess which villager, who used to run around as a little child and gather mushrooms, is going to kick the bucket next. There's a bit of gameplay for a Virtual Villagers II - you could place bets. Death by unnatural causes invalidates the bet, to prevent cheating.

It's silly. This really isn't my kind of game, as I stated before, but it has kept me amused for several days. I'm in "Play To Crush" mode right now, trying to figure out all the puzzles and max out my village's technology and population. With an apparently unlimited supply of fish for my village, now, I have been encouraging my population to breed like bunny rabbits.

Some tips I've picked up while playing this game:

* Don't have your villagers breed early in the game - wait until you have the first farming upgrade. A child consumes food at the same rate as an adult, so breeding not only drops the mother out of producing anything for the village for 2 years, but adds another consumer for 13 years who will contribute nothing unless you spend a lot of time hunting mushrooms (which gets old fast). If you don't have your food supply stabilized, you can end up starving the entire village.

* Villagers don't know how to get started with tasks, even if you have checkmarked a job as their preference. You'll need to train them manually at first to help them learn what to do. After that, they will figure things out on their own. So start them out by having them work on a hut for building, or working in the fields or on the berry bush for farming, and the table for research, etc. Keep 'em at the task until they have gained some points in that skill.

* When you've just upgraded technology (or solved a new puzzle), pick up an adult villager and move them around the island and see what kind of messages pop up. Sometimes new tasks might appear, which may suggest ways to solve other puzzles.

Besides guessing which villager is going to kick the bucket next, I've also been fiddling with the Torque Game Builder some more, and I have to say I'm fairly impressed. More on that later.

Have fun.
- posted by The Rampant Coyote @ 10:48 PM (Permalink) 0 comments links to this post

 
Innovation in RPGs?
We've had some incredible advances in graphics quality in computer roleplaying games over the last dozen years or so. Compare the quality of the first "real" 3D RPG - Ultima Underworld - with Oblivion, of course, and it's nothing short of stunning.

As far as storyline and setting are concerned, there has been some progress on that front as well, moving away from the overused (but still better-selling) faux Medieval European setting or a no-brainer license (like Star Wars) into a few other genres. It seems to be a dangerous action in terms of sales, unfortunately. Planescape: Torment (which I have yet to play - I'm on of the reasons it did poorly I guess) is reported to have a really astonishingly cool storyline and bizarre, unique setting. Jade Empire takes place in an Asian setting. Arcanum was a "steampunk" style game. And of course, there's the Fallout series. And I might as well note the indie effort, "The Omega Syndrome." Also on the indie front, Jeff Vogel recently wrote an article about his attempt to come up with an innovative setting - which didn't go so well (though I think Geneforge was pretty different, too). Daring to go beyond traditional dragons, orcs, knights, and wizards is happening --- if infrequently.

But how about good, solid innovation in gameplay? I'm not talking cute button-mashing tricks getting added to try and dress up combat. I'm talking changes to the game that help take the game beyond the "fight and loot to get more powerful so you can fight and loot bigger stuff" treadmill of play that characterizes RPGs today. While I'm narrowing focus, I'll also narrow it to just single-player RPGs. Massively Multiplayer RPGs are of course taking some strides to broaden the treadmill experience, but that's mainly because the treadmill is a hundred times worse in your average MMORPG.

I'm talking the kinds of things Scorpia was lamenting in her recent editorial, "Old Wine In New Bottles."

Here are some examples of the kind of "gameplay depth"-increasing innovations that we've seen in the past, but which we've rarely seen repeated in a genre which really seems ripe for it:

Ultima IV - The Quest of the Avatar: Okay. In this game, many of your actions had the usual immediate ramifications that you've seen in many games prior and since. However, besides simply questing to amass cash and power, the end-game also required you to master virtues. These virtues were often at odds with the quickest path to power (and at odds with each other). This was a relatively simple system: Steal, and you lost honesty - but of course, you gained wealth. Brag, and you lost humility. Lie, and you lost honesty. Ah, but what if avoiding bragging required you to lie? One of the virtues was sacrifice - which was very much at odds with the accumulation of greatness that most games rely upon.

Ultima VI - The False Prophet: This game (and Ultima 7) introduced the notorious "baking bread" mechanic, which have now evolved into gigantic crafting systems in massively multiplayer games. The idea was to allow the player to become involved in the economy of the game world through the creation of goods. Some players loved it, some (mostly) ignored it. I confess, I fell into the latter camp most of the time, though it was an interesting diversion.

Ultima Underworld: This game featured a barter system that was simple yet fascinating. Different characters at least seemed to value items differently. One of the puzzles involved a man who was afraid of the dark. His other items - including a key quest element - were of far less value than light sources. A little bit of wheeling and dealing could truly improve your lot in this dungeon, without combat. I've yet to see anything quite like this in 15 years.

Wizardry 7 - Crusaders of the Dark Savant: This game had several NPC
groups racing for the same ultimate prize as your own party. While it was somewhat clumsily realized, it was a fascinating element (and was even made a key marketing point). You might have to negotiate with these parties to trade prizes, acquire key information, etc. I don't think you could lose to these other parties (someone correct me if I'm wrong - I didn't finish the game), but IIRC you might find that a quest item at the end of a dungeon had already been looted by another party.

Suikoden: The most modern mainstream release I can think of, this game had a large component involving creating and improving your castle headquarters, and amassing an army to win the war that engulfed the game world. The thing that made it interesting was that few of these additions were really mandatory. I don't remember if any of your allies were mutually exclusive or not - those would certainly make the choices more interesting.

Cute Knight: An indie offering, combining "sim" style play and a limited adventuring career with an old-fashioned, "Wizardry"-style dungeon romp and lots of replayability.

Is there anything like this in more modern games? All of these examples are more than a decade old. The only one that springs to mind (and granted, I haven't played every release that's come out on console and PC in this time) is the Vampire: The Masquerade titles - the Humanity index, and the Masquerade index in Vampire the Masquerade: Bloodlines. But these were cribbed from the pen & paper license, so the innovation was from that side of the fence.

What else have we got? What am I missing? Anything within the last decade or so?

Labels: Game Design, retro, Roleplaying Games

- posted by The Rampant Coyote @ 11:33 PM (Permalink) 13 comments links to this post

 
Tamagotchi Villagers
A couple of years ago, I had a game idea that I thought would be really cool. One of several. I still have it written down, in short summary form, in a directory on my computer (See? I have proof!). After watching Castaway and catching tidbits of the TV show "Survivor" (my wife was still watching it at the time), I thought, "Hey, how about a game where you help a bunch of stranded survivors on a remote tropical island?"

The ideas flowed. You could help the different villagers learn skills and develop technology (in my game concept, they'd all come from a more civilized society - say, Victorian England - so they'd know about technology, just not how to build it immediately. So it'd be kind of a primitive, tropical-island SimCity starting with a village of clueless people.

Last week, a friend told me about a game a friend of hers was playing. It sounded very suspiciously like my game idea! Very suspiciously! A few days later I discovered Virtual Villagers, and sure enough, they'd built a game around a very similar concept.

Oh, there are some major differences. The villagers in Virtual Villagers come from another island, rather than being castaways from a more advanced civilization. And I was planning on having a little bit of politics in mine - say, a ship finally comes to rescue the survivors, and some want to stay while others leave. Or a disgruntled, charismatic leader in the tribe decides to leave with a bunch of followers to start a new, rival village. That kind of thing. As far as I know, there's no such thing going on in virtual villagers. Which may be for the better.

The very curious gameplay element which some people may love and others may hate is that the "village" deals with the passage of time when you aren't playing - sort of like an online game. What it really comes down to is that this is a game intended to be played over many short sessions. You'll load it up, play it for a few minutes, deal with any surprises (and there are a lot of surprise events that occur in the game), re-arrange some tasks, and then log out again. It's a little like Tamagotchi, I guess, except the villagers aren't as annoying and demanding.

The tasks are pretty easy to assign - you can go into the "Detail" view and set a particular villager's preference for activities. Or you can just pick up the villager, move them to a task, and they may (depending upon their preference or current state) attempt it and improve in it.

For example, if one villager is sick, you can drag another villager over on top of them to get that villager to try and heal the sick one. You can drag a villager over to the research table to start attempting research and creating technological advances. You can drag a healthy adult villager over a healthy adult villager of the opposite sex to see if they'll ... uh, get amorous and get busy making babies.

That's another major feature of this game - it occurs over many successive generations. Your villagers will have children, who will grow up to become productive members of the community (wow, so this is a FANTASY game...), have children of their own, grow old, and eventually die. I don't think the game tracks lineage - at least, I hope not, or by the fourth generation it is going to be a village of mutants. EVERYONE is going to be marrying siblings or cousins.

Well, the effects of that kind of inbreeding is possibly already rearing it's bald head. Male-pattern baldness seems to be something even the little boys get stuck with, running around with the retreated hairline that they'll have as grown-ups. Ah, well.

Anyway, this isn't the usual kind of game I offer at Rampant Games (I'm not much of the casual games kinda guy), but this particular game was amusing and addictive enough that I thought I'd share. Besides, Outpost Kaloki was all lonely and stuff as the only real strategy game there (unless you count Journey to Rooted Hold, which is more of a ... puzzle game, I guess, though it really defies description).

Click Here to download a free demo of Virtual Villagers. Or you can visit the website at http://www.rampantgames.com/villagers.html.

Or you can... not do either. That's cool too. Am I a hard-sell guy or what? Anyway, if you try it out, feel free to post here to tell me what you think of it.

Labels: casual games, Game Announcements

- posted by The Rampant Coyote @ 7:21 AM (Permalink) 2 comments links to this post

 
Ten Commandments of Indie Game Developers
Okay, so maybe they are more like guidelines - or even wishes - rather than commandments. But they seem to work.

#1 - Thou Shalt Not Covet Thy Neighbor's Big-Budget Game
Know what you are capable of. If you don't know what your limitations are, start small so you can find out. Two guys in their basement with a $1000 budget are NOT going to re-create the latest Halo or Final Fantasy game ("only better") inside of a decade. Indie games on a tight budget need to be scoped appropriately. A game doesn't need to be huge to be fun and successful.

#2 - Thou Shalt Complete Thy Game
That goes double for me. Too many indie games are never completed, especially first projects. Like a vast, vast majority. Usually because the developers are new and failed to obey commandment 1.

#3 - Thou Shalt Network With Thy Fellow Indies
The indie community is full of people who've been down the same road you are going. They are full of advice, ideas, and can cue you in on new opportunities that are opening up. And they may provide you with useful constructive criticism about your game, website, and whatever else. They can help you, and you can help them.

#4 - Thou Shalt Not Worship Publishers
Don't put your fate in the hands of a publisher. I'm not saying it's never a good idea, only that once you do that, you are no longer an indie.

#5 - Thou Shalt Not Clone
Come on, it's one thing to be inspired by a game and create one derived from those ideas. Everybody does that. But can't you innovate a LITTLE bit, combine a few ideas, instead of just doing a wholesale copy-and-reskin of a popular game? Sheesh.

#6 - Thou Shalt Not Bear Thyself as a Big Business
Look, you aren't EA. You shouldn't pretend to be EA. If you are the only person at your company, don't title yourself as the "CEO." Your strength is being small and personal. Don't play to your weakness instead.

#7 - Honor Thy Customer
Business is about relationships. Maintain a good one with the people who keep you in business. You have no idea what kind of crappy job they had to sacrifice an hour or so of their life to in order to buy your game. Respect that!

#8 - Thou Shalt Honor and Value Thy Intellectual Property
Publishers know the power of I.P. rights. Developers are typically not in a position to truly exploit those rights, so they tend to undervalue it. Publishers have been taking gleeful advantage of this for years. I'm not saying they shouldn't be for sale. But you should understand the value of your IP rights in the long term, and price them accordingly.

Forget about pie-in-the-sky things like movie or novelization rights. Even without getting into things like sequels. We can talk expansions. We can talk about ports to different systems, expansions, foreign distribution deals, etc. There are TONS of potential opportunities out there when you own you own IP. Think of it this way: Owning the IP rights means you own the right to let other people make you money.

#9 - Thou Shalt Be Wary In Thy Dealings
Always, always check up on the reputation of whomever you are signing a business deal with. The world is unfortunately filled with less reputably companies that will quite literally take the money and run. A lot of indies have been burned by this - and they are happy to talk about it. That is one more reason why networking is so important.

#10 - Thou Shalt Not Slack In Thy Keeping Of Backups
Another one that goes double for me. Just think about it - if your hard drive on your development box were to suddenly die a grinding, screeching, irrevocable death with no possible data recovery right this instant as you are reading this, just how screwed would you be?

Your answer should always be, "Not very."

Labels: Indie Evangelism

- posted by The Rampant Coyote @ 1:51 AM (Permalink) 5 comments links to this post

 
Take-Two Should Put Jack Thompson On Their Payroll
Seriously.

If they haven't already.

This is totally the kind of publicity they need: Protest March Against Take-Two?

This will probably increase Bully's sales by 25%. And a whole bunch of kids will want it, because it's so FORBIDDEN. Jack Thompson is the one marketing it to kids, fer cryin' out loud!

Oh, well. If he can be in charge of a self-fulfilling prophecy, then he can assure himself a position in the upcoming class-action lawsuit. Because you KNOW he can't wait to blame every bit of schoolyard violence from now until his own funeral on this one videogame. The sooner he raises the stink about it, the sooner he can get the lawsuits going.

But in the meantime, he's really boosting Take-Two's pre-sales. Well, as soon as Wal*Mart will offer it for pre-sale. Guess he wants them to have as much money as possible so he can sue them for it later.

What a weird world we live in!

Labels: Mainstream Games, Politics

- posted by The Rampant Coyote @ 2:51 PM (Permalink) 2 comments links to this post

 
Torque News
There are a few interesting things happening of late on the GarageGames front that may be of interest to indie developers - even those who don't have anything to do with their engine or tools.

For those who use the Torque Game Builder (my quick take from a few months ago can be found here), it's now up to version 1.1.1. I've played with the new version a little bit since it's release several days ago. The first thing I encountered was that the animations of my 3D shapes no longer seemed to work. I don't know if that was an artifact of the code merging I did, or if it's a new bug.

I'm really pretty frustrated about the problems with the t2dShape3D class - the biggest being it doesn't work under DirectX. That was the key ingredient of the "special sauce" that made TGB interesting to me, and it's still not quite working as advertised.

In spite of my pet peeve, I do have to admit the engine is really looking quite sharp. There are two key changes (to me) with the new rev that really make it exciting. First of all, they've added a new sorting system for objects so that they can be sorted by Y values. Looking through the code, it looks like they've got similar sorting for X values, too, but it's not been documented and I've not tried it out. So I can't say if it works or not. But it would certainly make something like this far easier to do:



The other key feature is that tile maps are now integrated with the level editor. I have had a chance to play with this feature a little bit, and it really makes a huge difference, particularly in the early prototyping stages.

Hot on the heels of this release (enabled, one might say, by this release), is the new "Torque Game Builder Adventure Kit". I haven't looked at this one yet, but it looks very intriguing, as you can tell by the screenshot on the right. The new release of TGB + the Adventure Kit really seems to target the isometric RPG development community.

It's up against some heavy competition, so I'm not sure how well it will do. TGB plus the adventure kit is $140 - $240, which gives you a skeleton to create a pretty decent 2D RPG. However, there are far more complete tools already out there, such as RPG Maker, which also have a lower price point. The biggest difference is undoubtably in flexibility, but at a cost of more "do-it-yourself" work. It'll be fascinating to see what emerges.

Torque-X is probably GarageGames' biggest coup to date. An engine that lets you program games for the XBox 360? I can't think of a bigger PR move or a better way to make Torque the "engine of choice" for legions of wannabe game developers. Hordes of XBox 360 fans with visions of making their own "Halo 2, only better?" Yeah. Score for GarageGames. Not that I want to disparage said dreamers who will be signing up for Microsoft's "Creator's Club" developer program. I'm sure there are going to be some excellent games appearing in their network as part of this program (not "Halo 2 only better," but quality games nonetheless), and it will undoubtably be a key part of the genesis of many future professional game developers. And indies! And I will conceed that the Torque Game Builder tools for Torque-X will likely vastly improve the chances of these guys losing their "wannabe" status and actually creating and completing game for the console.

And finally, the big news last night was that the Indie Games Con for this year was cancelled. This sucks, as I was finally going this year (with my boss at Wahoo Studios). We had tickets and everything. I can imagine the reasoning behind this move. Torque-X is GarageGames' ticket to hit some excellent traction in the game development world (not just indie, but game development in general), and so I can understand how they'd want to focus their resources into that rather than into the conference. In addition, indie and "casual" game development conferences have been appearing all over the place of late, with the explosive growth in the casual games market - with apparently more financial backing. I can see why GarageGames might have trouble making the IGC stand out without just becoming an out-of-town "Torque User's Group" meeting.

That doesn't change me being annoyed. Oh, well. Those are extra days on my schedule that I can now devote to game development, I hope.

Labels: Torque

- posted by The Rampant Coyote @ 7:57 AM (Permalink) 2 comments links to this post

 
A 2-Person Raid
I recently got hooked once again on City of Heroes. The Crimson Osprey, who'd been forced into early retirement due to his player being way to freaking busy, has enjoyed a little bit of play time over the last week or so.

One of the nice things about City of Heroes is that the game is pretty friendly for more casual (I guess I should say, "less hardcore") play. You can jump in, do a mission in about 20-30 minutes, and call it a day. You can team up very quickly with other heroes (or villains, with City of Villains) with an easy interface, or you can solo (which may be more difficult for certain character builds than others at higher level).

Unfortunately, my infrequent, short play has prevented me from ever rising to high levels in City of Heroes. Well, that, and I'm a player who has a case of what my superheroic partner last night called, "Altaholism" - a fondness for playing way too many characters ("alts" or "alternate characters") instead of concentrating on just one.

Now, City of Heroes has it's own version of a "Raid," called a "Task Force." For those of you not familiar with what raiding is in Massively Multiplayer Online RPGs (MMORPGs), here's my take.

Once upon a time in MMORPGs (I tend to attribute the origin to EverQuest, though I'm sure it started sooner than that, possibly with text MUDs) folks realized they could take on enemies more powerful than normal simply by zerging it.

"Zerging" is another term that may need definition - it comes from the game StarCraft, an older, huge hit from the makers of "World of Warcraft," the 800 lb gorilla of the Massively Multiplayer world right now. In StarCraft, the Zerg race specialized in cheap, disposable units. One of the most successful tactics for new players was to do a "zergling rush" or "zerg rush" - a winning move in the first ten minutes of the game if the opposing players were unprepared. It was basically an attack by massive numbers of disposable units.

So if a powerful dragon is too tough for a party of six players, you might be able to zerg rush it with five parties of six. Of course, coordinating an assault of this magnitude takes a lot more time and effort (particularly since it only takes one stupid player to wipe out an entire raid at a crucial moment). These assaults became termed, "raids." Raids tend to be long, grueling affairs. And too often, fairly boring. But there's often the potential for good loot from the slain dragon and its minions or whatever.

City of Heroes doesn't have quite the emphasis on loot - which is both a pro and a con. But for those who do like to raid, the developers created "task forces," which are a series of linked missions with lots of boss monsters and some nice rewards at the end. They are also long and grueling, though not as boring as some EverQuest raids I'd been on. They also tend to scale to the size and power of the raiding force - which means once again, stupid players can be a liability.

Well, last night I got invited to help START a task force. The girl starting it needed at least three people to start the task force, but was planning on soloing the whole thing. (She paid us 100,000 influence each just for helping her out - influence is sort of a mock currency in City of Heroes). I offered to stick with it, as I was looking for something to do. It was supposed to be one of the smallest Task Forces in the game.

We ended up "raiding" for over four hours to complete the sequence, which was a bit longer than I anticipated putting into City of Heroes for an evening. But I do have to admit, I had a blast playing it. I'm a sucker for superheroics to begin with. I was a scrapper (A science-based martial artist with super reflexes), and my partner was a tanker with fire powers. No "healers," so we had to rely on inspirations or quick rest breaks to restore ourselves.

Highlights of the evening:

* Both of use had super-jump travel powers. So I had a lot of fun with us following each other from mission to mission bounding across rooftops, pausing to comment occasionally. I'd never really followed anyone with super-leap before. It's incredibly amusing.

* Two heroes trying to deal with 2 or 3 Vahzilok Embalmed Abominations at a time. The embalmed are basically walking bombs. Besides just smacking you around and puking poison on you, they like to get into an animation that looks like they are fighting constipation REALLY HARD, and then explode in a firey mess that only hurts their enemies. If you can keep hitting them and getting them on the ropes, you can prevent them from self-destructing. We were usually successful at keeping one or two pinned down (if we could keep track of them in a mess of 8 or so enemies). We found ourselves the unfortunate targets of 2 or 3 detonations at a time in a couple of confused melees.

* Getting 3 badges at almost the same time - I got the "Gravedigger" badge (for putting down way too many Embalmed Abominations in my career), the "Tourist" badge (for earning 10 badges), and the "Positron's Ally" badge (for completing the Task Force sequence) all in the last combat of the night.

Labels: Mainstream Games, Roleplaying Games

- posted by The Rampant Coyote @ 1:13 AM (Permalink) 2 comments links to this post

 
Benefits of Buying Indie
As I have mentioned previously, the "Indie" gaming scene (from my standpoint at least) is actually pretty inclusive, as much as we might try and make it sound like it's an elite bastion of gaming purity.

This means its pretty hard to characterize indies as a whole. But if you stick with the top few percent - the ones that really stand out and DO get noticed- you can make some statements that tend to hold true. As both a member of the development community AND a customer of the same, here are some benefits I've found that really impressed me about buying indie games:

#1 - Outstanding Customer Support
I've received rapid response times to emails and queries, even on weekends or evenings (though for many indies, those are their prime working hours). I've had suggestions for games actually get implemented into the next rev of the game within weeks, or even DAYS. With indies, it seems that the tiny organizational overhead means you are either talking directly to the developer involved, or you are only one step away.

I've been able to be involved in the process on behalf of players of the third-party games I sell on my site, and I have to admit that I have been impressed. From game hints and questions to really nasty technical issues, the developers have been awesome and extremely responsive for me to help people out.

And I thought *I* didn't sleep much...

#2 - Instant Fun
Indie games are generally available as a download, and usually have a small enough footprint that you won't be waiting all night for a download to finish. You may even be able to play a scaled-down demo version directly via your web browser. You don't need a lot of patience or a trip to the local mall.

And if you find the free trial versions to be to your liking, buying the full version rarely takes more than a couple of minutes, either. In my experience, I usually haven't had enough time to go to the fridge and grab a soda before I had a registration key ready to unlock my new game.

#3 - Long-Term Support For Your Game
I touched on this a little while ago. Have you ever tried to even find a patch for a typical 3-year-old mainstream game? Maybe one you played and enjoyed but never finished, and want to try it out again? (Or am I the only one who does that?) It can be a nightmare. But for indie games, a 3-year-old game might just be hitting it's prime, and is still actively getting updated and improved. Indie games have much longer legs, and indie developers seem much more devoted to maintaining their games, than most mainstream developers and publishers.

#4 - Unique, Flavorful, and Niche Games
Some indie games are really innovative and sometimes just plain bizarre. Some may not necessarily blow all your beliefs about what videogames can do out the window, but they might have a unique angle or subject matter that you just don't find in mainstream games because they just aren't "economically viable" (meaning the publisher doesn't believe the concept has the potential to sell a half-million copies MINIMUM).

The whole "casual games" phenomenon originated becase some folks (mainly indies) decided to serve a niche category that mainstream was ignoring. Now it's the fastest-growing segment of the industry, and the mainstream publishers are frantically trying to figure out how to adjust their business model to get a piece of the action.

Genres considered dead by the mainstream industry, such as space combat games and adventure games, find new life among the indies. I was floored by how many indie space combat games were coming out around the same time I released Void War. Then you've got indie games in conventional genres injected with the personality and unique ideas of the creator, making fresh and unique (and arguably innovative in their subject matter), like with Aveyond, Kid Mystic, Outpost Kaloki, and Cute Knight. Or something completely off-the-wall DIFFERENT that defies categorization, like Deadly Rooms of Death: Journey to Rooted Hold.

#5 - Low Price, High Value
Most indie games are significantly cheaper than their first-run mainstream counterparts. Even more significantly now that EA and other large publishers are bragging about paying more for development and passing the increased cost on to their customers for new-gen console games. Sure, indie games typically don't have quite the whistles and bells of their mainstream counterparts. But many people find indie games that provide a much bigger bigger bang-for-the-buck in terms of sheer fun and raw entertainment value than the latest "AAA" releases.

#6 - Try Before You Buy
Almost all indie games have a demo version you can try out first. So you don't even have to commit the already low price of admission to the full version to make sure you are going to be happy with your purchase. Sure, it's hardly a new or unique thing to indie games, but it's nice to have a pretty substantial sample and know in advance you are going to be happy.

Now if only movies would let us watch the first half hour for free before deciding whether or not we wanted to pay for a ticket.

#7 - You Get To Feel All Avant-Garde 'n Stuff
You are the trendsetter, because you see past the pablum-pushing mainstream marketers and have been wired into the digital underground to pick up on the freshest and most innovative concepts that are just TOO hot and experimental for the rank-and-file gamer!

Okay, maybe not. But hey, your friends won't know the difference!

#8 - Insert Your Benefit Here
Okay, I'm out. I was already reaching on the last one.

What have you got?

Labels: Indie Evangelism

- posted by The Rampant Coyote @ 9:15 AM (Permalink) 3 comments links to this post

 
Dependent, Independent, and Indie.
I knew that attempting to define Indie Games would stir up some discussion. And it did - in comments, out-of-band discussion, and on other blogs. This is a good thing.

Before going any further, some background is in order. A lot of folks coming from different industries have different views on the meaning of "independent," for one thing. I didn't really recognize this until I read Sammy G's recent blog and had my brother explain to me how the "independent" music industry works - which isn't very different at all from the mainstream music industry, in spite of attempts to sensationalize it with marketing terms.

Independent comics and movies have also evolved their own way, different from games (or music). So perhaps one of the best ways to shed light on what indie games or indie game developers are is by explaining how the videogames industry generally works today, and contrasting that with the indies. So here we go:

But First, A Little History
Once Upon A Time... someone invented videogames. Which was the first videogame is subject tosome amount of debate. And that whole history - culminating with Nolan Bushnell's runaway success with his coin-operated arcade game "Pong" - is a fascinating saga. What matters here is that once videogames started making money - REAL money - a whole bunch of players started entering the field.

Some were old companies wanting to branch off into this new, unknown medium. The Connecticut Leather Company (Coleco), Sears, Texas Instruments, Williams, Parker Brothers, a playing card company from Japan called "Nintendo"... they entered the fray with some newcomers like Atari, the offshoot Activision, Intellivision, and later, Trip Hawkin's dream company, "Electronic Arts." None of them knew what they were doing, and they made up the rules as they went. Some survived, some dissapeared, some withdrew, and new ones entered in a battle for dominance that still continues today. Over time, the videogame business matured and became a multi-billion dollar industry.

The companies that had the money and tenacity to stick with it became the giants that pretty much run the entire show. These are the "major publishers." While it may just be their own hubris to say they rule the industry, a hefty lion's share of the money made by the industry passes through them.

Can't We All Just Get Along?
Like any other media industry, you can break the jobs down into two categories (which mingle and intersect all the time, but we'll pretend it's a clean break here). You have the guys who actually CREATE stuff. And then you have the guys who take that creation and productize it so that it makes money.

Most of the time the guys who create the games really DO want money... it allows them to keep doing what they love for a living, rather than asking "Do you want fries with that?" while dreaming of making games. The obvious match-up here is that the creators get together with the convert-to-money guys, and a little symbiotic relationship emerges. I make the games, you sell them to people, we'll split the profits, and we'll both be happy, right?

In the games industry, the creators are often called "development studios." And the money guys are often called, "publishers," and they do duplication, marketing, and strategic relationships with distributors and, through them, sales channels, where the constomers finally part with their money in exchange for a few hours of fun and entertainment. Yes, it's kind of a long pipe, and everyone gets their piece of the action.

It seems to me that the guys furthest down the money stream tend to get the smallest share after an industry has matured in any medium. But that's a whole 'nother rant.

Dependent Vs. Independent
The relationship between the publishers and the studios can take many forms. In one case, you have a studio that is owned by a major publisher. We don't really call them "Dependent," but they really are part of their parent company, no matter how many promises they may be given about retaining creative control. The parent company still has final say over what games get created, or whether or not the entire studio will continue to exist.

If you aren't owned by one of those previously mentioned major publishers, then you are "independent." Unlike some other industries that may have evolved different ways, in the games business, it's pretty cut-and-dried as to whether or not you are independent.

Now if you are an independent studio, you have to figure out how to make money from making games. Most of the time, this involves getting into some kind of relationship with a big publisher. Nowadays, most independent studios are guns-for-hire. The publishers have games that need porting to different platforms, or expansions or sequels that need to be made, or licenses that they need to exploit. If they can't get it all done with their in-house studios, they'll farm it out to the independent studios on contract.

If an independent studio does a good job on its contracts, and consistently delivers quality product on schedule, then they may become attractive enough to a publisher to get bought out by the publisher and turned into an in-house studio. Brought into the mothership. For many independent studios, this is the goal (at least for the guys who stand to make a lot of money out of the deal).

That's independent. But when we talk about "indie" games (or, as Jer put it, "Big I" Indie), we're actually talking about something else.

Independent vs. Indie
While the above is the most common scenario, it's not the only way things CAN work. This is where things get fuzzy, and we enter into the realm of "Indie."

There are a ton of other ways for games to get made and convert into cash to allow a studio to keep making games. They are the roads less travelled. I've talked about some of these methods in the past. These ways don't involve a major publisher at all - or at least not up-front.

The problems? Well, the big one is that they don't involve a healthy advance from a publisher up-front. This means less operating capital to create a game (usually, unless you happen to find a ton of investment from other sources - which has its own risks). It means doing it yourself as far as marketing and, often, distribution. Or at least not having access to the tried-and-true, well-understood channels the big publishers have a lock on.

This is what we're talking about when we talk about "indie" games.

Guerilla Warfare
If "indie" pretty much covers such a wide variety of possibilities, why do we give it a label? Why do we want to draw a distinction between "indie" games and those that are "not-indie?"

Well, Mike K. and Sammy G. are pretty much correct here. It's marketing.

The indies are the underdogs - by a tremendous margin. We're talking about as much as two orders of magnitude (or more) in combined development and marketing budget. This is a fundamental difference from, say, the music industry (well, at least on the production side... marketing budget differences are still astronomical).

Now, if the value of the game to the audience was in direct proportion to its cost, that would be one thing. But it's not. Now, I will admit that the "average" indie game out there is even crappier than the average retail game. But I will submit that I've gotten a heck of a lot more enjoyment out of several free indie game demos than out of some top-shelf titles for my Playstation 2 over the last couple of years. Maybe it's just because I'm a jaded, old-school gamer and something reasonably fresh and amusing like Cute Knight, Deadly Rooms of Death: Journey to Rooted Hold, Orbz, or Steam Brigade are more exciting to me than yet another generic third-person shooter. Even if you can now see realistic sweat on the faces of the enemy soldiers!

But in order to compete, the indies can't possibly go toe-to-toe against these giant corporations.
So it's gotta be guerilla marketing. Commando style! (Not to be confused with going commando...) Something has to be done to make the indie games stand out from the incredible background noise generated by hundreds of millions of advertising dollars being thrown behind their big-budget cousins.

And part of that guerilla strategy is the label. "Indie."

What's In A Name?
The "indie" label has stuck. It's hard to define, and it is a term that comes with a bunch of excess baggage from other media and industries. But so far, nobody's come up with a better term that has stuck. Except for "casual games," but that's actually a very specific category of games that may or may not be indie (but more often than not, they are produced by indies).

The label is desireable to communicate the difference to the audience. It breaks indie games into a separate category, in a hope to help them get noticed in the marketing din of the modern videogame market. There are signs that this is starting to work - indie games are starting to get some attention in the industry. Though I expect your average Joe Playstation still has no clue what an indie game is or where to find one.

Because indie games are such a wide, inclusive category, Sturgeon's Law holds just as true amongst the indies as anywhere else. Most indie games probably deserve to languish in obscurity.

But then there are a lot of things indie games do have to offer a player that they might not be able to find from mainstream games. The indies can serve the niche needs of an audience underserved by the mainstream developers. That's where the entire "casual game" phenomenon originated. The indies have a lot to offer players, if they can only be noticed and tried.

Labels: Indie Evangelism

- posted by The Rampant Coyote @ 3:09 AM (Permalink) 4 comments links to this post

 
Simplicity and Subject Matter
There's article on Primotech, if you haven't seen it already...

Is the XBox 360 Really Mom Friendly?

This isn't a survey - it's one woman's attitude and opinion on several games for the XBox 360. But her personal account (and her son's commentary) provide a glimpse into reasons WHY (or why not) that a survey wouldn't reveal.

One of the most telling pieces of information came in the interview at the end of the article:

Alex: What about the Arcade Games, weren’t those easier?

Mrs. P: Hexic I liked a lot, but Marble Blast was pretty tough. I think when it comes to winning over this audience, the simpler the better. But I also think spending over $400 is absurd just to play a Mattel card game that goes for $5 in real life, for instance.

Alex: What may make you want to purchase the console or play other games?

Mrs. P: I think the biggest factor would be if I could find a game that I could relate to, containing subject matter that I enjoy. Again, that’s partially why I liked Condemned. I think too often though, the plot is quite insipid. I think strong dramatic elements, like story and visuals and music, would be a bigger draw to older generations than unique gameplay mechanics or what have you.

I think the biggest problem is a simple lack of experience. It seemed like, in a game such as Prey, you knew exactly where to go after looking at a puzzle or roadblock, whereas it’d take me an exorbitant amount of time to move onto the next task or area. And it took me a very long time to develop the ability to move freely in the game and feel comfortable with the controls, to some extent. I could see some people just getting too frustrated to continue, however.

Simplicity and Subject matter.

I'm a geek, and a guy, so I relate well to subject matter involving blowing the crap out of aliens in space ships. Or beating up goblins with a sword. And geek guys *used* to be the prime audience for games. But that's been changing for a while. Games are mainstream, and the fastest-growing audience right now is women aged 40+. And many adults would rather play casual games than watch television or movies, according to this recent survey:

Casual Gaming Taking Places of Daily Activities

So is gaming ready for more psychological thrillers? More detective stories with less combat and more detecting? More romances? I don't know. As I've commented before, games tend towards violence because violence is way, way easier to do than other forms of human interaction.

That is, if we're trying to SIMULATE human interaction, like we simulate violence - simulating the full causality. But what about abstracting the interface a bit more? It's been done, especially in board games. Chess doesn't accurately simulate any real-world battle strategies, but it still represents (and, to a degree, teaches) battlefield tactics. Monopoly is a horrible simulation of real-world corporate strategy and economics, but it still conveys the feeling of portraying a ruthless real-estate tycoon.

What if you have to collect and play cards to get certain emotional responses from other characters, rather than directly simulating a conversation? Combine the (relative) simplicity of a game of Poker with the subject matter of mystery novel?

Labels: Game Design

- posted by The Rampant Coyote @ 9:13 AM (Permalink) 1 comments links to this post

 
The Flower Conspiracy
I think it's a conspiracy.

The flower-picking simulators are everywhere! This is what I ended up doing in Dungeons & Dragons Online tonight:


I've heard rumors that World of Warcraft has entire quests based around this dynamic! Aveyond - it's right in the first five minutes of the game! Blatently out there!


Something should be done. Think about this children! How can we protect our children from this exposure to flower violence in videogames! If we don't start arresting retailers now for peddling this flower-theft to children, pretty soon we're gonna see 16-year olds gathering entire basketfulls of daisies!

This can't just be an accident. The corrupt and corrupting games industy is behind it, I'm sure.

I am willing to help any state draft legislation to send a powerful and expensive message to retailers and the videogame industry that WE WILL NOT TOLERATE ANY MORE OF THIS PETAL-PEDDLING!

Labels: Mainstream Games, Roleplaying Games

- posted by The Rampant Coyote @ 10:11 PM (Permalink) 7 comments links to this post

 
Xbox 360 To Allow Hobbyist Developers
Coming Soon: For $99 / year, you can join a Microsoft "Creator's Club," with the tools to port games from your PC to the XBox 360.

The Gamasutra article is here:
http://www.gamasutra.com/php-bin/news_index.php?story=10458

This reminds me of the old "Net Yaroze" stuff for the original Sony Playstation. But it sounds to me that for $99 / year you get to turn your consumer-level XBox 360 into a dev kit. Not bad. You may only be able to directly create freeware for a limited market, but if you are really itching to mess with current-gen console development, this might be a pretty cool way to go.

Kudos to Microsoft for opening up the XBox 360 for hobbyists to tinker on!
- posted by The Rampant Coyote @ 11:48 PM (Permalink) 3 comments links to this post

 
Gaming News and Views 8-11-06
There's just too much interesting stuff going on in the gaming world! Enjoy!

Illinois Has To Cough Up A Half Million To Pay For Its Illegal Anti-Game Law
So Illinois passes a patently unconstitutional law. The ESA rigorously defends it. The federal judge throws the law out, ruling, "If controlling access to allegedly 'dangerous' speech is important in promoting the positive psychological development of children, in our society that role is properly accorded to parents and families, not the State."

And now the state of Illinois has to pay the ESA's legal expenses as well as its own. This is an incredible waste of taxpayer money, and shows great irresponsibility on the part of lawmakers, who knew dang well that similar laws have been struck down as unconstitutional elsewhere.

Get more juicy tidbits at GamePolitics.com and VideoGameVoters.com

The Omega Syndrome Updated With Easier-To-Use Interface
Okay, a bit closer to home... The Omega Syndrome has been updated (again). All versions get an improved interface, with skill commands available right from the main screen this time (yes, yours truly got stuck for five minutes trying to figure out how to repair an elevator with the old version, so I'm interested in trying out this new change). Also, with the full version, more comic-book pages have been added to improve the storytelling. Enjoy!

You can read more about the interface change here, and you can download the update from The Omega Syndrome's page at Rampant Games. I do not know if you will have to re-install the add ons for the full version after this, however. I'm going to be offline tonight, so I may not be able to test it out until Sunday or so. If you try it out before then, please note what it takes in the comment section.

A Spirited Defense of Story In Games
I don't know if anyone else follows the endless rounds of the storytelling vs. gameplay debates that go around, especially in the academic circles. I praise the debators for doing this (and I'm blown away that videogames are a subject of academic study and debate). It's one of those chicken-and-the-egg type arguments that will NEVER be conclusively resolved, but I think that (up to a point) we learn a lot from the discussion.

Psychochild, a game development and MMORPG development veteran, has an excellent article offering his moderate opinion, and links to more interesting articles on the subject.

E3, Not Love, Is A Battlefield
Raph Koster has an excellent article entitled "E3, Retail, Dinosaurs, and Mammals," and suggests that the downsizing of E3 is a defensive measure on the part of major publishers that may backfire as they practice an older model of PR / Media Relations that may no longer succees in today's information-rich world. I thought it spoke nicely to some of the same issues I brought up in yesterday's article, and shows the continuation of the same mentality I discussed a year ago.

20 Minutes of Videogames Makes You Violent?
Thanks to Amber Night (and WomenGamer.com) for this juicy tidbit: 20 Minutes of Videogames Desensitizes You To Violence.

My contention is that 20 minutes of any sort of highly active or strenuous activity would produce the exact same effect. Like Tennis! Yeah, sure.... the score of zero is called "Love" in Tennis. So what's the winning score? It must be HATE AND WAR! Hah! I've broken the code. Why did violent games have a higher effect than the non-violent ones? Duh... the violent games deliberately invoke player's fight-or-flight instincts!

Seriously, I'd like to see someone test that out, but I'm not qualified. Not that this would stop me from making outrageous claims just like these researchers. Apparently mainstream media will buy just about anything that sounds sensational that Joe Public can't tell is an obvious line of Bull Hockey. Oh, well.

Truth In Videogames Ratings? Yeah, Right!
Gamasutra has published ESA President Doug Lowenstein's response to the Truth In Videogame Ratings Act, co-sponsored by one of my very own congressman from here in the State of Utah, Jim Matheson. The response is a good one - it basically sheds some light of The Real World upon an act certainly sounds well-intentioned, but in practice is incredibly unreasonable.

Games aren't movies or books, folks. They aren't static experiences that can be exhaustively evaluated. I put well over 100 hours into playing Oblivion, yet I doubt I saw even half of the content in the game. I spent too much of my time hopping through meadows picking flowers.

If I was hired by the ESA at great expense to evaluate Oblivion prior to its release, I still couldn't tell you from first-hand experience that the game allows you to murder innocents with little or no repurcussion. I couldn't tell you if there was a hack you could make to the code that would allow you to make some female characters topless. As far as I know, there could be some remote dungeon somewhere in the game called the Marquis de Sade's Pleasure Palace!

So how would my evaluation be any better (aside from being far more expensive, to the game industry AND the taxpayers for GAO supervision) than what we've already got?

It's just one more horribly ill-conceived bill that our politicians are wasting time and taxpayer dollars creating, defending, and ultimately losing.
- posted by The Rampant Coyote @ 9:35 AM (Permalink) 0 comments links to this post

 
Alternatives to Front-Loading Game Sales
I talked a little while ago about several of the differences between indie game sales and modern "AAA" retail sales.

One thing that I discovered when I first became involved with the indie community was about how indie sales tended to be more of a "slow-burn" proposition. I was struck hard by a comment by one indie developer who stated that he sold more copies of his game the third year after its release than the first two years